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Glidetrack Tests
So, we recently tried out our new Glidetracks from Scotland. (We think it’s particularly cool that they’re made in Scotland, BTW.) We’re excited about implementing them in our field production. There are all kinds of uses, but the most obvious is the fact that adding slow, subtle movement can dramatically increase production value—especially when paired with the shallow field of a DSLR. In our first test shoot, we used camera one for typical interview framing, and camera two on the Glidetrack. Here are some selects from camera two:
Glidetrack Selects | CCC Interviews from ProlifikFilms on Vimeo.
We learned a couple of things. First, due to the lightweight nature of the DSLR (even with the Zeiss lens and all the accessories) it takes some practice being able to create smooth moves. This isn’t a drawback of the Glidetrack—just something to practice and get used to. The good news is that we mostly used camera two for short, establishing shots & it worked nicely cut together with the camera one footage.
Secondly, due to the challenges with DSLR LCD screens (low-resolution and the inability to tilt), Nick ended up in a terribly uncomfortable position, with limited range of motion. This LOOKS like a smile on his face, but he’s actually wincing from the back pain:
It was a hard day for Nick, but now that we know how awkward that LCD makes things, it should be an easy fix. The new Marshall V-LCD70XP-HDMI in the hot shoe mount will free up the operator to stand normally & be able to create smooth, full moves. The monitor & battery will add a little more weight, which could end up helping with the first challenge.
We agree with other reviewers that the Glidetrack is a powerful creative tool—especially for the price. With a full-size video camera, the moves would be amazing right out of the box. We added a few more things to the “challenges-when-shooting-with-a-DSLR” list, but thankfully new solutions are coming out every day. And a few generations of DSLR’s from now & we’ll all look back at this time period and have a good laugh.
We’ll add the Marshall to the mix & post more samples soon!
About Us
Prolifik films was created by Nick Jones and
Dave Schwarz to provide visual storytelling
for ministries, churches, and non-profit organizations who are serious about having impact and creating change.
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Comments
This is certainly where DSLRs come in first: camera support systems become a lot less involved. Everything is lighter, that cuts time on set ups and $$$ on expensive, heavy equip.
By Ty Tuin on Mar 1, 2010 - 12:40pm
I have some problems with keeping my movement across my glidetrack smooth - any tips there? You can see a little of the jitter in the first shot of this video of mine http://vimeo.com/9820064
By Mike Jones on Mar 15, 2010 - 5:26am
Hi Guys,
Giving the rails a thorough clean with a little furniture polish helps prevent any residue building up and also makes life nice and slippy…oh…and always push the carriage not the camera.
By A Brown on Mar 15, 2010 - 3:00pm
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